
^ "Nightcall" (UK 7" single liner notes).^ a b "Nightcall – EP by London Grammar".^ London Grammar (), London Grammar - Nightcall, archived from the original on, retrieved.^ "Single Review: London Grammar - Nightcall".^ a b c "Nightcall (Radio Edit) – Single by London Grammar".^ "British single certifications – Kavinsky – Nightcall".^ "Danish single certifications – Kavinsky – Nightcall".^ " Kavinsky – Nightcall" (in French).

: CS1 maint: others in cite AV media (notes) ( link) "How Synthwave Grew from a Niche '80s Throwback to a Current Phenomenon". "London Grammar Selects Haunting Cover of Kavinsky's "Nightcall" As Next Single". The song is also featured in the CW show Riverdale in episode 99. The song is used in a commercial for the Sony Xperia phone promoting its low-light camera features. It also plays during the opening credits of the 2011 film Drive, and in scene 25 of Our RoboCop Remake as directed by Nicolas Winding Refn. "Nightcall" plays in the background of a flashback scene in the film The Lincoln Lawyer. "Everywhere You Go" – 3:42 Charts Chart (2013)

On “Nightcall” Kavinsky wanted to show you “where it’s dark,” with this remix The Weeknd’s granted his wish." Nightcall" is a song by French electro house artist Kavinsky, released as a single in 2010. Lyrically, The Weeknd’s hedonistic indulgences are as prevalent as ever, promising to put “guilt in the grin of a good girl,” and consuming enough drinks to forgo any geographic knowledge.

Tesfaye’s Jacksonesque quivering is perfect for the track’s blustery electronic beat, which wouldn’t have to put up much of a fight for rotation at any 80s night club.

For his next trick, Kavinsky is releasing an EP of remixes of “Odd Look,” which is scheduled to drop in August and features appearances by Fools Gold founder and DJ A-Trak, recent M.I.A. The album had much of the same appeal as the Drive Soundtrack itself, slinking late-night numbers riding right alongside cuts coated in 80s nostalgia. Back in February, French electronic artist Kavinsky (best known for contributing the song “Nightcall” to the Drive Soundtrack) released the sorely under-appreciated Outrun, an album long narrative of a half-man/half-machine who makes music.
